Agora
We arrived at the agora around 8PM or so and got acquainted
with the venue one more time. I hadn't made a trek to this wonderful
theatre since they played the psychedelic festival with widespread panic
and hypnotic clambake in, I believe, march of 94. how beautiful. we
goofed around and randomly chatted with friends until the opening act
started. I think their name was the Andy Johnson Explosion. anyone
confirm this? i didn't stick around for much, but they seemed, and i
know it's not right to make comparisons to other bands, but a cross
between electric 90's bob Dylan and Elvis Costello. the boys eventually
took the stage and christened the night with backwoods rose. over the
years this song has come a long way in the bands stability and they show
us why in this rendition. boy does it sound polished. you know it's
going to be a good night when the second tune out of the gate begins
with one of the funkiest sugar jams I've ever heard. The twistling of
the ivory and the thumping impact of Clifford dropping the bomb on my
chest, literally set me in my seat. I think ed was having technical
difficulties with the acoustic when he launched the giant. fe fi fo fum.
the boys though it would be goofy to enact a baseball skit of some sort,
so ed took the guitar and acted like he was batting. Clifford was
catching and Dave was at the keyboard pitching. Starrcatt handled the
ball while Eric reenacted the sound of the ball on the kick drum. poor
Steve. i think he was better left to sit and figure out what exactly was
going on. Dave pranced around with the ever so melodic, happy go lucky
tune, brighter day. tree house was to follow. what a gem. I love this
song as much as the next. Irv, your bumming. Sharon graced the stage
with her presence accompanying the boys with the Robbie Robertson tune,
it makes no difference. back to hee haw time as Dave took to the strings
for silver train. then they let loose a new tune, an instrumental tune
that has about as much potential to evolve as the Dead's own dark star.
Dave said he's calling it dumpster. I didn't ask the details as to why
and just accepted the fact. this closed the set and a bit of time to
relax before the lights dropped again.
Ed took the stage solo style and offered us much to celebrate at the
beginning of the second set. in honor of earth day and peter Frampton's
50th birthday, he sang another first time played, All I Wanna Be (is by
your side). Talk about nailing some high pitches. whew! the band then
came back on stage and Dave kicked down a rather absorbing My Own Way
that gravitated into Lax. their transitions from song to song seem to be
getting more subtle and it works well. After a few second stall, Dave
brings us find out that subtle-ized itself into what I thought was a ear whacking
experience, sifting into a sweetly beautiful mountain home. those of you
that at the last second decided not to go, you missed the highlight of
the night here. they continued on their way through the set with a fatty
Ecstasy, before ed barked out bone. i didn't recognize Clap for the
Wolfman at first, as i hadn't heard it since Halloween. it worked well
gliding into the spaced out, high intensity tune that always seems to
take the roof off the place. Something about Slipjig that blows my mind.
leaving the stage on a high note, the boys had yet to do an encore. when
they came back out and Dave was on acoustic guitar, I thought only one
thing. somewhere down the line. it seems like I haven't heard that tune
in a bit. while Eric and the Starrcatt gave us a little rhythm groove
for a minute or two in the sandwich, the night slowly came to an end.
safely home and sound, it's now after 1:15AM, and I have to get up in
under 4 hours. For those of you have made it all the way to the end, thank you for letting me share the experience. I hope
all is well in hookahland. Enjoy your day.